Stephan moccio biography sample

It might be surprising that the Oscar and Grammy nominated gentleman behind massive inescapable hits for Miley Cyrus, The Weeknd, and Celine Dion is a classically trained impresario. It comes out of my fingers when I sit at the piano. Born to a long line of pianists, he picked up the instrument at just three-years-old. Thank you for signing up!

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External links [ edit ]. Authority control databases. United States Czech Republic. MusicBrainz Grammy Awards. And I was studying his voicings at the piano. So I think, you know, a lot of those ingredients find themselves in my hands. So I definitely have a huge palette of classical which I pull from, and there's still a familiarity to it that allows me to write a melody that's memorable and not too abstract.

I definitely have a huge palette of classical which I pull from. SMD: Right. So you've obviously been involved in a lot of interesting projects, the Winter Olympics which you mentioned earlier on; "Wrecking Ball"; your work with The Weeknd. Is there any particular project that you're most proud of? Does anything particular stand out? Stephan: Well, the Winter Olympics was huge because I was able to exercise my classical and my pop training.

I got to conduct the Montreal Symphony Orchestra — cues of music we wrote. I had the fanfare that I wrote for Vancouver, and on top of that, there was the song that topped the Canadian charts and became a piece of national history in Canada. And then, of course, there's my pop music work like "Wrecking Ball" which is essentially a classical piece.

But Tales of Solace I really feel very proud of, because I had previously recorded two solo piano albums in Canada in andand they blew up exceedingly well. They were the biggest albums at one point. They were on the top of the pop charts as well. But Tales of Solace became this global thing in the solo piano world with the timing, my sentiment and just connecting with people.

Stephan moccio biography sample

And the amount of streams has been overwhelming, so I'm proud of that because it was literally driven by me. It was nobody else saying to me, "you have to return. Is that how the song started out when you wrote it? But it started off like that. It was just a beautiful piano piece. And at least 90 percent of the songs I write are written at the piano.

There are some beautiful piano motifs, even the hook when I had this idea So you hear the classical influence in a song that was so gigantic worldwide. But I think that's a part of the success of many great songs, there's typically some great jazz or classical influences underneath them. SMD: And so as a pianist is there any music by other composers or artists that you enjoy playing on the piano?

Stephan: Yeah, it's a tough one, I get asked that a lot and I want to make sure I give the right advice. I mean the obvious one that's so cliche is just don't take no for an answer. If you know you've got something to give, rejection is inevitable as part of it. The other one is don't take shortcuts, you know? And I never did. And I'm glad I didn't, To really be great, and more importantly to produce something really great, there are no shortcuts around it.

All the songs I've written, I mean "Earned It. The song itself was written in stephan moccio biography sample 20 minutes. It's a waltz Tenacity and endurance are a big part of this thing. We all get rejection But the producing of that song had to be done in six days because we had to lock the picture up for Fifty Shades of Greyand I didn't sleep.

I slept maybe an hour and a half for every day because we had to, and I literally got sick. I had developed bronchitis and pneumonia for a month and a half, two months, and I was hospitalized. But then the year after, we were nominated for an Oscar and I'll never forget that. It just happened so fast. But, you know, tenacity and endurance are a big part of this thing.

We all get rejection, all of us, I still get rejection. You've just got to keep on going. And I think another piece of advice to give to people is to be brutally honest with yourself. I mean, you have to ask and only you can know the truth. Sometimes we all try to lie to ourselves. And I know I have done it in the past and probably will continue to do it.

And here's a good example in real time: just three or four days ago, I made a conscious decision to really engage a proper social media manager because I know that social media is important. We all love and hate it, but it's become almost an addiction for me. And I found it's taking away from my time for making music. I was not born to be a social media star.

I know that I was born to write some of the greatest melodies and most beautiful melodies in the world. And if I'm not in the studio at the piano for at least hours, I feel like I'm cheating myself first, and eventually the people that I'm writing music for. SMD: And lastly, can you tell us about any upcoming projects that you're working on right now?