Lawrence paul yuxweluptun biography templates

Unlock exclusive artist performance data. Art History. Book Reviews. Search History. Lawrence Paul Yuxweluptun Canadian Growing up in a politically active family, his father, an astute politician, was an active member of the North American Indian Brotherhood, and a founder and former head of the Union of British Columbia Indian Chiefs. Yuxweluptun's mother was active in both organizations and led the Indian Homemakers Association of British Columbia.

Initially encouraged to pursue a career in politics, instead it is Yuxweluptun's paintings, drawings, and assemblages that give voice to concerns regarding land claims, damaging assimilationist policies, and environmental degradation.

Lawrence paul yuxweluptun biography templates

From his perspective, "An artist can't do anything if he doesn't watch, observe, and participate in what's going on. Yuxweluptun also maintained a close relationship with Coast Salish cultural traditions. Yuxweluptun attended the Emily Carr College of Art and Design now University in the late s and early s and graduated in with an honours degree in painting.

Yuxweluptun works primarily in painting but has also created multimedia and sculptural works. Environmental issues are often central themes in Yuxweluptun's work. Generally, Yuxweluptun's paintings are described as "provocative;" for example, his multimedia piece Residential School Dirty Laundry illustrates a cross made out of children's underwear with red paint to represent blood, and references the treatment of First Nations children in the Canadian Indian residential school system.

Yuxweluptun is among the most overtly critical artists practicing in Canada today; he doesn't shy away from depicting the devastating realities that face many Native people and does so through a unique hybridization of Northwest Coast aesthetics—ovoids and stylized formlines—with the dream-like aesthetics of Surrealism. Yuxweluptun's wry appropriation of Surrealism is a reminder of the formative influence of Aboriginal artifacts, including Northwest coast masks, on this movement.

This perceived lack of authenticity with regards to his artistic and cultural heritage is of little concern to Yuxweluptun. Perhaps the most important achievement of Yuxweluptun's paintings within the context of Canadian landscape painting is his introduction of the politicized landscape. As curator Scott Watson observes, his works invert the subservient role of Native arts and crafts within the development of Canadian Modernism.

Inherent Rights, Vision Rights pioneered new techniques for the exhibition of VR pieces by blending computer-generated 3D sound with figures derived from Yuxweluptun's paintings. Instead, the viewer enters a kiosk similar to an old-fashioned stereoscopeand experiences spatialized sound and computer graphics. The kiosk represents a Longhousedescribed in a edition of Canadian Art as a "simulated cartoon longhouse inhabited by a variety of Yuxweluptun's typical animal spirits and ghosts".

One of Yuxweluptun's earlier pieces, the work Haida Hot Dogcomments in pop-art style on the commodification of First Nations, and particularly Haidaartwork. This overtly political painting combines a broad range of influences drawn from the contemporary history of Indigenous peoples, Coast Salish cosmology, Northwest Coast formal design elements, and Western landscape traditions.

Yuxweluptun wrote in"My work is very different from traditional art work. Laurence, Robin. Lederman, Marsha. Lehman, Henry. Madwar, Samia. Ritchie, Christina. Siebert, Amanda. Stoffman, Judy. Turner, Michael. Click Here for CV. Haida HotdogAcrylic on lawrence paul yuxweluptun biography templates 66 x inches. Shaman Dancing in SunsetAcrylic on canvas 42 x 30 inches.

Shaman Coming to FixAcrylic on canvas 77 x inches. Night in a Salish LonghouseAcrylic on canvas 86 x 54 inches. Sketch for Clearcut to the Last TreeElectrostatic print with graphite on wove paper 17 x 12 inches. Mountain View CemeteryOil on canvas 16 x 20 inches. The Impending Nisga'a Deal. Last Stand. The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.

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