Elene akhvlediani biography

Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. TelaviRussian Empire. References [ edit ]. National Archives of Georgia. Retrieved Now and then she as though reconstructs the recent past of her native city, portraying a row of carpet stalls or an old dukhan a Caucasian inn.

But behind the amusing details of the outgoing life, noticed with such subtle humour, one can feel excruciating nostalgia for the city of her youth becoming a thing of the past, for the simple and somewhat patriarchal relations between neighbours that had developed in the traditional Tiflis home, where each one of the inhabitants is seen through by the other.

The outgoing, rapidly changing city meant, moreover, the departing friends, to whom Akhvlediani was infinitely devoted. People attracted her and she attracted people, although her temper could not be called easy. She was an uncompromising person who could not tolerate duplicity in relations. Those who were closely acquainted with her invariably realized that.

Her studio less of all resembled a temple of art where masterpieces were created in silence and seclusion. Someone of the friends or colleagues would always drop in. A student of architecture, who happened to enter the house in search of lodging for the period of his studies in Tbilisi, lived several years in the attic of her flat. Akhvlediani took care of him and strictly controlled his studies.

To children the artist gave special attention. In her studio the artist often arranged personal exhibitions of works of her colleagues: V. Beletskaya, V. Shukhayev and, of course, report-back exhibitions of the members of the team of painters she organized for the tour of the republic, which had played a considerable role in the development of Georgian landscape painting: Natalia Pilavandishvili, Pyotr Bletkin, Eteri Andronikashvili, Anna Shalikashvili, Klara Kvess, and others.

A festive, unconstrained atmosphere prevailed on the opening days. There were so many people that the floors of the old house seemed to be about to elene akhvlediani biography way. There were held also musical and literary soirees, the performers including such outstanding musicians of our time as Neigauz and Richter. The studio was a cultural centre of the city, and it has remained one after the opening in of the Akhvlediani Memorial House.

The staff of the museum carefully preserve the interiors of the studio ingeniously furnished by Akhvlediani herself, and also books and collections. They carry on important research work, collecting material about the life and work of Elena Akhvlediani, and are compiling a full catalogue of her productions. It is remarkable how its special atmosphere has been preserved in this wonderful house, where today, too, one can often hear poetry, music and Georgian songs and where friends of the artist come together.

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Elene akhvlediani biography

Sign me up. She returned to Georgia in Her contributions to the Georgian landscape painting are particularly significant. She painted scenes of Georgian nature and cityscapes, which are distinguished by their emotionality, romanticism and richness of color. The paintings dedicated to the old districts of Tbilisi, Sighnaghi, and Telavi are made with particular love and adoration.

Since she became a student at the Colorado Academy of Arts. Her first solo exhibition was held in Paris in January Shot from the movie "Kote Marjanishvili".